Interview with Tony Nichols of Mexican Ape-Lord
By Mick Michaels
COSMICK VIEW: Hello, Tony! Welcome to The Cosmick View. Thank you for taking some time out of your day to chat with me, it's greatly appreciated.
Tony Nichols: Great to be with you.
CV: Mexican
Ape-Lord’s new album, "Survival
Cannibalism" is a musical retelling of true events. Tell us a
little about the story's background and what drew you to it.
TN: Yeah, the album was inspired by a
shipwreck that happened on an island off the coast of Maine a few hundred years
ago. It was the middle of winter and the survivors grew so desperate they
turned to cannibalism.
CV: Why did you feel telling the story
using the band's music and writing style was a project worth investing in? Is
there some level connection to the story or event?
TN: We grew up outside of Boston, about 60 miles
from where this happened, but we never learned about it in history class. Jon
(the singer) stumbled across the story around the time the album was coming
together. He was looking for a theme to tie the songs together and survival
cannibalism fit the mood.
CV: Do you believe storytelling in songs,
or more so in album form, are something audiences are looking to experience,
especially when the idea of a "concept album" is not as popular as it
once was?
TN: Well, some people just want to hear a hard
hitting song and others maybe want to go a little deeper. These songs are built
to stand alone. Take just one, that’s fine. But for those who want more than
one, climb on in, we’re going for a ride.
CV: Does music need to contain a message
to be successful or even for people to connect to it for that matter in your
opinion?
TN: I don’t think music needs a human voice to
make a connection. Instrumental music is proof of that. But combining the two can
put it over the top.
CV: If you had to compare "Survival Cannibalism" to the
band's first album, "The Late Heavy
Bombardment," using only three words, which words would they be?
TN: More Dan solos. He’s an incredible guitarist.
We’d be fools not to let him loose at every opportunity.
CV: Did the COVID pandemic and the restrictions that followed, have any effect
on the album's overall production? If so, how did the band overcome any
obstacles or challenges that may presented themselves?
TN: We’re lucky to work with some great engineers.
Peter Rutcho mixed and produced the album in his studio without us breathing
down his neck. I trust him completely. Jon recorded vocals with Warren Babson
at a remote studio in Gloucester, MA. Dan recorded his lead guitar parts in his
home studio in Florida. Luckily, we had basic guitar, bass and drums tracks
recorded before COVID hit.
CV: What do you feel 2020 has taught you
as an artist and as a band that you otherwise wouldn't have learned elsewhere
in your opinion?
TN: Be flexible. Don’t give up. Use whatever
technology you can to team up and kick ass.
CV: What's next? In addition to the new
album, what can fans expect to see coming from Mexican Ape-Lord in the New Year?
TN: We have two projects in the
pipeline. The first is a three song EP called Rx that we plan to release in
2021. We’re also working on a full length album called Blunt Instrument to
follow that up.
CV: Thank you again Tony for spending
some time talking and sharing with our readers. I wish you all the best and
continued success.
Check out Mexican Ape-Lord at:
Youtube: https://www.youtube.com/channel/UCKGyKltz5eWPip11DlraAzw
Spotify: Survival Cannibalism
Facebook: https://www.facebook.com/mexicanapelord/
Twitter: https://twitter.com/mexicanapelord?lang=hr
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