Interview with Vocalist Al Aston of Atomic Agent
By Mick Michaels
COSMICK
VIEW: Hello! Welcome to The Cosmick View. Thank you for taking some time out of
your day to chat with me, it's greatly appreciated.
Al Aston: Thank you, it’s my pleasure!
CV: Every artist experiences highs and lows. Many
struggle just to move from one level to the next, and some, unfortunately,
never do. What would you consider to be a pivotal point in an artist's career
which would take them from one level to the next that a struggling artist should
be aware of? Is it an individual mindset or does it equate more to
opportunity? Or is it something all together different in your opinion?
AA: Everything’s based on hard work and determination,
of course, and you have to acknowledge your possible weak spots and work on
those to improve, and only then you’ll be ready to move up the ladder.
Determination is key, so it is about every member’s mindset, but sure, you also
have to take the opportunities when you face them, you just have to be ready
for them.
AA: If you work from your home studio and don’t perform live, the significance of extra PR work comes even more pivotal. If you do live shows, extra PR just adds on top of that attention.
I think that you have to try to be smart with your songs, videos and your PR work. If you can make some smart references or commentary – be they either in lyrics or in your music videos, for example – that can appeal to wanted audiences, you’re on a good path to garnering attention.
For Atomic Agent performing in front of a live audience will be an option soon, unless another pandemic lands upon or some other shit hits the fan.
CV: What have you found to be the balancing point
between relevance and over saturation when it comes to being an artist? Is
there a fine line between the two or can it be looked at to some degree as the
two essentially being one in the same?
AA: It’s a fine line between staying relevant and not
over saturating. Look, if you’re a major artist, it’s different as your music
and face will be everywhere, but for us smaller artists it all comes down to
being in the social media, first and foremost. I think if you start pushing out
silly stuff several times a day on, say, Instagram, many people are bound to
get fed up, and they either mute you or unfollow. Make your posts smart and
keep ‘em coming every once in a while, so I think you’re safe.
I can mention an example. This certain band that I really like, pushes tons of short videos on their Instagram. They always make some extra effort with their vids, I hand them that, but they publish so much of all sorts of monkey business per day, I just had to unfollow them there. Also posting cheesy memes several times a day isn’t a good way to go, I always mute those artists.
CV: Is there any level of consideration, or even
concern, to deliver on expectations, whether it being your own or that of the
fans, when working on new material?
AA: Not on my part, no. I know what Atomic Agent is
capable of, and people have only heard a fraction of it so far. This is just
the beginning of the journey and it will be an upward trajectory. At least for
now I don’t have to think what people are expecting, I make music that I’d love
to listen to myself and then I just hope there will be enough like-minded
people to play these songs to. I’d do this anyway because I have the fire
burning inside, so in that sense it doesn’t really matter if it’s ten people
listening to Atomic Agent or a million. The more the better of course, but I
just don’t see myself doing just about anything to get more listeners.
CV: For you, what’s first when it comes to songwriting…is
it a matter of lyrics melody, chords, beat, attitude? Or is it more organic
than that where the moment dictates the process and outcome?
AA: You know, it can be any of those. The most standard
way of starting up a new song is a new guitar melody or a riff, but I’ve come
to notice now, it can be anything. In case of the song Breathe Fire it was the
beat, that was first, everything else came after that. In case of this certain
new song, that will be on the second full-length album, it was about the
attitude and it felt very angry and punky, so that set the tone of the song
too.
CV: What do you believe makes songwriting more
honest and impactful...that something that both the artist and listener can
share?
AA: I know this sounds a bit lame, but make something
that people can identify with, and be honest with it, be sincere. If you fake
it, they can smell you. Especially do NOT think what people might want to hear
from you.
CV: What do you feel has been the greatest
contribution to your success as an artist?
AA: To be fair, Atomic Agent is only in the beginning,
but has already garnered a few good reviews and lots of good feedback from the
listeners. I’d go with versatility and originality. You can hear a lot of
influences for sure, but I don’t think you can say that Atomic Agent were a
carbon copy of any specific band or artist.
CV: What's next for you? What can fans expect to see
coming up?
AA: Atomic Agent will have a full live lineup soon, and
I’m glad to reveal to you as the first person, Mick, that we already have
scheduled our first rehearsals for the band. The hunt for a few more members is
still on, but I’m confident that it will be successful.
I’m also working on new music and some video stuff as we speak, and there is a nice collaboration thing coming soon too. I’m planning on a couple of single releases in the coming months, then an EP before the summer, and probably a second full-length album in the beginning of the next winter.
I’m also expanding the sound world on my vocals to make it all more versatile. Atomic Agent is a beast that can jump inside many different coats very naturally, and still sound like Atomic Agent. :)
CV: Thank you again for spending some time talking
and sharing with our readers. I wish you all the best and continued success.
AA: Thank you, and thank you for some well-thought
questions, Mick!
Check out Atomic Agent at:
Bandcamp | Spotify | Tidal | Facebook | Instagram | YouTube | ReverbNation
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