Interview with Cody Hess of Greymarch
By Mick Michaels
The Cosmick View: Hello, and welcome to The Cosmick View/MBM Ten Pounder! Thanks for taking some time to chat with us!
Cody Hess: Thanks for having me! It’s a pleasure to have the opportunity to talk about Greymarch.
CV: Describe your definition of your sound and style and how does that
definition uniquely describe the music?
CH: Greymarch is a melodic metalcore project for fans of Wage War, Fit
For A King, and I Prevail, led by husband, father, and video game enthusiast
Cody Hess. Some might say it’s metalcore for gamer nerds.
CV: Today, everyone talks about artist
and audience connection. Is such a level of connection actually achievable for
an artist and if so, how have you made the connection to your fans?
CH: I find that many music fans…myself included, grow to idolize the
artists whose message is most impactful to them. And then, to dig deeper and
find out that the artist is a real person just like them is a huge humanizing
factor. I think showing humility is one of the most widely-appreciated facets
of building a fanbase. How better to connect with your audience than to just be
real?
CV: Is fan interaction an important part
of your inner culture?
CH: Absolutely. I work very hard to create music that is impactful and
relatable - why wouldn’t I want to relate to the people who relate to it? I see
bands and artists that are so aloof and self-important that it just leaves a
bad taste in my mouth, as I’m not alone.
CV: Can a band truly interact with its
fans and still maintain a level of personal privacy without crossing the line
and giving up their “personal space” in your opinion?
CH: Of course, with anything, there has to be boundaries. For
instance, I believe in treating fans as friends. But I wouldn’t allow friends
to detract from my family, and as a husband and father, my family is the most
important thing to me in the world. I think it’s entirely possible to engage
with fans without sacrificing that personal space.
CV: Is music, and its value, viewed
differently around the world in your opinion? If so, what do you see as
the biggest difference in such multiple views among various cultures?
CH: I believe that music is universally valued - it’s a universal
language. But at the same time, it’s so culturally diverse around the world
that different styles, sounds, genres of music all have their places. And I’ve
seen it used for so many different purposes in different settings. Music can be
used as a form of entertainment, or a form of worship, or even as a way to get
your energy up for working out. That’s why I feel so many people are drawn to
it.
CV: Do you feel that a band that has an
international appeal, will tend to connect more so to American audiences? Would
they be more enticed or intrigued to see the band over indigenous acts because
of the foreign flavor?
CH: That’s a tough question! In this digital age, I don’t think
distance is really as much of a factor. I think appeal comes down more to
relatability. Electric Callboy comes to mind, for me. I see them first as a
highly entertaining “party metal” kind of band, and second as an international
act.
CV: Has modern-day digital technology made everyone an artist on some level in
your opinion? Have the actual lines of what really is an artist been blurred?
CH: I believe that modern technology hasn’t created more artists; it’s
only created more visibility to art. A person drawing intriguing doodles on
restaurant napkins had limited ability to share it with the world before the
digital age, but these days you just gotta post it! I believe, however, that it
is just as true now as then that the cream rises to the top. If the restaurant
napkin doodle belongs in the trash,
it’s no more a piece of art today than it’s ever been
CV: How would you describe the difference between an artist who follows trends
and one who sets them?
CH: I’d say, a trendsetter is an artist who forges their own path, and
an artist who follows trends sticks to what’s known and safe. However, I think
that for every artist who is successful at having a unique voice and setting
trends, there are a thousand artists who do their own thing and fail to gain
traction because it just doesn’t resonate. Whereas the artists who follow
trends unfortunately have a higher success rate, because the tried-and-true has
been proven to resonate.
CV: Has music overall been splintered
into too many sub-genres in an effort to appease fan tastes in your opinion?
And has such fan appeasements, in actuality, weakened music’s impact as a whole
by dividing audiences?
CH: It seems to me that the diversity of music only strengthen’s
music’s impact as a whole. I think that sub-genre’s are just a way of putting a
spotlight on different aspects of a genre that appeal to different fans. For a
time, it seemed there was a palpable division between different sub-genre’s.
“Real metalheads” weren’t allowed to like metalcore, etc. But I think much of
that kind of stigma has been left in the past, and we are coming into a time
where people just like what they like.
CV: What can fans expect to see coming
next from you?
CH: Greymarch’s next single “Bite the Bullet” comes out March 10th.
It’s an energetic and catchy song about those who shy away from hard work and
dedication.
CV: Thanks again for taking some time and
talking. It is greatly appreciated.
CH: Thank you for having me. It was invigorating to talk about some of
the deeper concepts of the music industry that don’t often get covered!
Check out Greymarch at:
https://youtube.com/@greymarchband
https://instagram.com/greymarchband
https://facebook.com/greymarchband
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