Interview with Farewell Fortune





By Mick Michaels





The Cosmick View: Hello, and welcome to The Cosmick View/MBM Ten Pounder! Thanks for taking some time to chat with us! 

CV: Describe your definition of your sound and style and how does that definition uniquely describe the music?
Farewell Fortune: The music is derivative of many genres blended into a cohesive mix. I have striven to reach across the soundscape and create a sound that I think is unique in many ways. You will hear industrial, EDM, synth, guitar rock, and garage rock amongst many other influences.

CV: Today, everyone talks about artist and audience connection. Is such a level of connection actually achievable for an artist and if so, how have you made the connection to your fans?
Farewell Fortune: It has definitely been a challenge in the COVID era to connect firsthand with a fanbase. Most artists have had to turn to social media for that connection, however, I believe the artists that have seen success, have learned the nuances of forming a fanbase from an online world. Connecting with other bands, forming that band community, and gaining fans through sharing digitally is a fulfilling endeavor if you put the hard work in.

CV: Is fan interaction an important part of your inner culture?
Farewell Fortune: I think it’s a necessity if you want to gain a following. It doesn’t mean you have to sell your soul or violate your principles to achieve that following. You should always be true to yourself as an artist and let the pieces fall into place.

CV: Can a band truly interact with its fans and still maintain a level of personal privacy without crossing the line and giving up their “personal space” in your opinion?
Farewell Fortune: Yes. It’s incredibly hard to lower your privacy walls to allow fans special access to your life. Your responsibility as an artist is to perform. You should appreciate all the fanbase provides. You do not have to allow every piece of your life to be public to be successful.

CV: Is music, and its value, viewed differently around the world in your opinion?  If so, what do you see as the biggest difference in such multiple views among various cultures?
Farewell Fortune: I can’t speak to the whole world, though I will say that from what I’ve seen, the world is an incredibly diverse place musically. Music brings people together. It’s like medicine for a wounded soul. We look to that sound or voice to get us through our sorrowful times as well as other emotions. The difference I believe is how the sound is delivered.

CV: Do you feel that an artist or a band that has an international appeal, will tend to connect more so to American audiences? Would they be more enticed or intrigued to see that artist or band over indigenous acts because of the foreign flavor?
Farewell Fortune: American audiences are wide ranging in their love for music. It’s the melting pot of the world and so many diverse cultures reside within the borders. I think music transcends those borders. A person mostly looks for comfort or inspiration through music, something that touches their soul.

CV: Has modern-day digital technology made everyone an artist on some level in your opinion? Have the actual lines of what really is an artist been blurred?
Farewell Fortune: I really think artistry is a wide range of beliefs and abilities. Music back in the 50’s through probably the 90’s was focused more on blues, rock, country, R&B, and rap. Now we see more synth-based music and more software tools to make a song. We went from analog to digital and that was a huge leap. The studio software of today has reached even greater heights to offer samples, effects, etc. It gives music an incredibly deep reserve of options.

CV: How would you describe the difference between an artist who follows trends and one who sets them?
Farewell Fortune: I think an artist who concentrates on trends isn’t true to themselves. An artist who creates from their own experiences and utilizes instruments to convey their message to their fanbase is much more likely to feel fulfilled in their journey. You shouldn’t make music just to please others. You should make music to feel the therapy it brings to your soul.

CV: Has music overall been splintered into too many sub-genres in an effort to appease fan tastes in your opinion? And has such fan appeasements, in actuality, weakened music’s impact as a whole by dividing audiences?
Farewell Fortune: Yes, very much so. We worry so much about labels in music today. Everything must have a genre attached. My music looks to transcend that. I’m not here to appease every little sub-genre tastes. I make every effort to create music that I’m proud of. I want it to touch as many souls as possible. These genres are only methods of division in my opinion.

CV: What can fans expect to see coming next from you?
Farewell Fortune: I just released the new album “Chaos Serum” on April 28th, as well as the new video for “Static”, which is already receiving great reviews from festivals across the globe. I will begin recording a new album probably late Summer into next year. 

CV: Thanks again for taking some time and talking. It is greatly appreciated.
Farewell Fortune: Thank you. Outstanding line of questions. Stay safe out there!

Check out Farewell Fortune at:
Facebook: www.Facebook.com/farewellfortune

Youtube: www.Youtube.com/farewellfortuneofficial

Instagram: www.Instagram.com/farewellfortune

 


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My name is Mick Michaels...I'm an artist, music fan, songwriter, producer, show host, dreamer and guitarist for the traditional Heavy Metal band Corners of Sanctuary. Writing has always been a creative outlet for me; what I couldn't say in speech, I was able to do with the written word.  Writing has given me a voice and a way for me to create on a multitude of platforms including music and song, articles, independent screenplays, books and now, artist interviews. The Cosmick View is an opportunity to raise the bar and showcase artists in a positive and inspirational light. For me, it's another out-of-this-world adventure.




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