Interview with the Band Novacrow (UK)


By Mick Michaels





The Cosmick View: Hello, and welcome to The Cosmick View/MBM Ten Pounder! Thanks for taking some time to chat with us! 
Novacrow: Thanks for having us!

CV: Describe your definition of the band’s sound and style and how does that definition uniquely describe the music?
Novacrow: Our sound is an eclectic blend of heavy music, industrial soundscapes, and erotic imagery. All of which is overshadowed by a tongue in cheek attitude and a relentless need for validation and attention.

CV: Today, everyone talks about artist and audience connection. Is such a level of connection actually achievable for an artist and if so, how have you made the connection to your fans?
Novacrow: We definitely connect more to our fans when we see them in person at our shows – either mid performance or just hanging around in the venue. Maintaining that connection on a regular basis whilst you’re not touring is a bit harder. That said, we try and make the most of social media and make it work for us by being our usual goofy selves and our fans seem to really respond to that.

CV: Is fan interaction an important part of the band’s inner culture?
Novacrow: It really depends on what you’re trying to achieve and what your goal is. For us, the most important thing is to create music that means something to us and that we love, so it’s important for us not to feel burdened by expectations from fans. And that’s why we’ve fostered a fan base that is ready to expect anything from us, giving us the freedom to do whatever we want with our music. We’ve paradoxically created a situation where the fan’s interaction is important to us because it doesn’t matter.

CV: Can a band truly interact with its fans and still maintain a level of personal privacy without crossing the line and giving up their “personal space” in your opinion?
Novacrow: Sure. I think most people are respectful of the artists they like, but like anything there’s a small minority of people that give the rest of the fans a bad name, and those guys suck. But if you’re willing to set a time and place for fans before or after your shows to interact with them a bit, most people will respect that and leave you alone for the rest of the time.

CV: Is music, and its value, viewed differently around the world in your opinion?  If so, what do you see as the biggest difference in such multiple views among various cultures?
Novacrow: On a personal level, I think music affects everyone the same regardless of culture. As far as value goes, Spotify is accessible from all over the world isn’t it? What changes most I think is the live culture. For the past few years there was definitely an over-saturation in the live music scene here in Liverpool where we’re based, so it was hard to get people to come to shows because there was so much happening that people got bored. But if you go somewhere where live shows are less common, then they tend to value those events much more.

CV: Do you feel that a band that has an international appeal, will tend to connect more so to American audiences? Would they be more enticed or intrigued to see the band over indigenous acts because of the foreign flavor?
Novacrow: Eh, there might be a bit of a novelty to seeing a foreign band, and a slight exclusive element to it…as it’s less likely they’ll be performing nearby anytime soon, but that’s as far as it goes I think.


CV: Has modern-day digital technology made everyone an artist on some level in your opinion? Have the actual lines of what really is an artist been blurred?
Novacrow: Do you make art? If so, pat yourself on the back because you’re an artist! You might not be a successful one, but you’re still by definition an artist. Anybody arguing that would be arguing semantics at this point, and nobody’s got time for that.


CV: How would you describe the difference between an artist who follows trends and one who sets them?
Novacrow: Uh…one follows trends and the other sets them. Guess which one does which.

CV: Has music overall been splintered into too many sub-genres in an effort to appease fan tastes in your opinion? And has such fan appeasements, in actuality, weakened music’s impact as a whole by dividing audiences?
Novacrow: Nah, the music comes first and THEN people categorize it into genres. The reason there are so many different genres is because there’s so much different music being made, and I think that’s great. And genres can help foster a specific scene, which can help bands to grow and thrive.

CV: What can fans expect to see coming next from you?
Novacrow: Well, our debut album ‘Look At Me Now’ will be released NEXT WEEK! So from the 30th of September onwards, we expect the world to change for the better and for us to be rolling in cash. We’ll be getting back to touring the UK, we’re currently planning a giant album launch, and hopefully this time next year we’ll be writing some new music. Who knows, the world is our oyster at the moment!

CV: Thanks again for taking some time and talking. It is greatly appreciated.
Novacrow: You’re welcome!

Check out Novacrow at:
Website: www.novacrowofficial.com

Facebook: www.facebook.com/novacrowofficial

Instagram: www.instagram.com/novacrowband
YouTube: www.youtube.com/c/kittysynthetica
TikTok: www.tiktok.com/@novacrowofficial
Spotify: https://open.spotify.com/artist/3QTW1bpe8NbGOg9F9fmV47?si=gRHo0xckQJucCvHeG7lhQw

 


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My name is Mick Michaels...I'm an artist, music fan, songwriter, producer, show host, dreamer and guitarist for the traditional Heavy Metal band Corners of Sanctuary. Writing has always been a creative outlet for me; what I couldn't say in speech, I was able to do with the written word.  Writing has given me a voice and a way for me to create on a multitude of platforms including music and song, articles, independent screenplays, books and now, artist interviews. The Cosmick View is an opportunity to raise the bar and showcase artists in a positive and inspirational light. For me, it's another out-of-this-world adventure.




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