Interview with Drummer Danny Rafaniello of Pater Iltis
By Mick Michaels
COSMICK VIEW: Hello! welcome to The Cosmick View. Thank you for taking
some time out of your day to chat.
Danny Rafaniello: It’s greatly appreciated. Thank you for allowing me to speak... especially
to share some impressions from
the small but steadfast Switzerland.
CV: Do you feel heavy metal music in general
is viewed differently by fans in Europe compared to fans elsewhere, especially
in America, and if so why?
DF: Yes, I actually think so. We often talk
about “US Metal” and “EU Metal,” but honestly, I find such classifications
unnecessary.
Music
is so much more than that! There‘s Oriental Metal, like from our friends
Orphaned Land or Myrath, groovy sounds from Khirki in Greece – even Nordic
bands like Amorphis incorporate international influences. Music connects
cultures, just like food does. That’s why our new album “Oui Chef” is a concept
album centered around culinary themes. Pleasure knows no boundaries – neither
musically nor gastronomically.
CV: What do you feel makes heavy metal music
so alluring to the fans? what is it about the music that personally resonates
so strongly with you?
DF: For me as a drummer, it’s the mix of
drama, dynamics, and tempo, combined with complex rhythms. It’s like a good friend:
feeling down? Heavy Metal. Feeling great? Heavy Metal. This music accompanies
you–honest and powerful– through the crazy world out there.
CV: Has metal splintered into too many
sub-genres in your opinion, thus, making it harder for newer bands to actually
classify themselves as one style over another? is it confusing for fans as well?
DF: Oh, history keeps repeating itself. The
wheel was invented ages ago, but you can always reinvent how it’s presented. It’s
like the potato: you know it, but you combine it differently, add spices, and
suddenly it tastes new. Young bands often draw inspiration from the classics –
Sabbath, Zeppelin, Maiden – and bring fresh energy into the mix. Who knows,
maybe we’ll soon see a grunge renaissance with a touch of 50s soul? As long as
it’s done honestly and with heart, I think it’s fantastic.
CV: How would you describe the current state
of the music business considering the last five years? Have things drastically
changed long-term for artists and bands since the pandemic? What are your
thoughts?
DF: Fear can be a teacher, but it must not
dominate in art. We respect when people are cautious, but we also encourage them:
Come to our concerts, grab a beer, and enjoy the music…one shouldn‘t waste time
on unnecessary toxic things. Let‘s stay culinary: If I can‘t tolerate
something, I leave it out – it‘s as simple as that.
CV: What do you feel makes your band and its
particular approach to songwriting work? what keeps the band together and
making music?
DF: We write songs as if we were already on
stage – full of energy, without compromise. Live performances are what truly matter.
In doing so, we always meet each other on equal footing, respecting every
personality in the band. The world is complicated enough – we rely on honesty
and being grounded.
CV: On a more global view, how do you see
your band’s music and songwriting separating itself from just being another
heavy metal act?
DF: We know that no one has been waiting for
us. But that‘s exactly what makes it exciting: Often, you come across songs you
weren‘t even looking for, yet they suddenly feel just right. Our music might
come unexpectedly, but that‘s what defines it.
CV: Can an artist truly be unique? Some would
argue there is no such thing as being unique; that it’s nothing more than a
compounding of influences making an artist who or what they are. Would this
then say that artists today are destined to be just copies of those who have
already come to pass?
DF: Every person is unique, and the
combination makes it exciting. Sure, the wheel has already been invented, but
it’s about touching hearts, not just causing tinnitus. Respect and love are the
foundation – and that applies to our music as well.
CV: Are there life lessons to learn being in
a heavy metal band that you feel cannot be taught elsewhere? If so, what are
they?
DF: Not necessarily. But every successful
band is built on respect and empathy. Heavy metal fans are often very sensitive
and profound individuals – I want to emphasize that in particular.
CV: What do you feel makes someone a “rock
star”? Does being a rock star automatically make one iconic or are the two
completely different in your opinion?
DF: “Rockstar” is often a product of media
and budgets. Charisma and ego certainly play a role, but ultimately,
authenticity is what matters. A rockstar symbolizes freedom and rebellion – but
who is truly freedom?
CV: What‘s next? What can fans expect to see
coming from Pater Iltis?
DF: With our band Pater Iltis, we’ll soon be
celebrating the album release of “Oui Chef” in Zurich. Additionally, we’re planning
concerts in Switzerland and working on international collaborations – including
with a well-known prog rock band from northern Germany and a Croatian rock
band. Personally, I continue to support bands with my cover designs – a project
that is very close to my heart.
CV: Thank you again for spending some time
talking and sharing with our readers. it was a pleasure. We wish you all the
best and continued success.
DF: Thank you! Cheers and bon appétit with
our album “Oui Chef” – low in calories and perfect after two or three beers.
Long
Live Rock’n’Roll
Check
out Pater Iltis at:
https://www.instagram.com/pateriltis
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